The personal, financial, and environmental costs of a border wall in Big Bend, locals revive opposition after Trump's announcement of a refinery in Brownsville and the Rio Grande Valley fights back after ICE shooting and raids, plus The Border Chronicle is seeking new paid subscribers!
“We love Big Bend the way it is. It does not need to change. We do not feel any danger, and we don’t want it to look like other places. And nothing makes a person who lives out here more mad than the idea of looking at a damn fence.”
Environmental advocates and residents say the long-proposed refinery threatens air quality and public health in a region already ringed by heavy industry.
An in-depth conversation with the Sikh musician and educator about growing up as a child of immigrants and turning to music for solace and inspiration.
Launching from last week’s Q&A with Sonny Singh, a Sikh musician and educator, we delve into his role in the film From Here, an eloquent and moving documentary that follows the stories of four children of immigrants who confront racism, xenophobia, and an oppressive immigration system with creativity and activism. Sonny is a musician with the band Red Baraat. In 2022 he released a solo album called Chardi Kala—in which he returns to the Sikh devotional music of his childhood (which we discuss at length in this podcast). Sonny has also spent decades working as an educator on social justice issues.
For listeners in southern Arizona: the film discussed below, From Here, will be showing in Ajo on April 14 at the Ajo Plaza Rec Room at 7 p.m., in Tucson at the Loft Theatre on April 15 at 2 p.m., and in Flagstaff at Northern Arizona University on April 17 at 4 p.m. Click here for other screenings in New York, California, and in Europe.
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Mexican writer Álvaro Enrigue’s new novel, Now I Surrender, is an epic about the U.S. and Mexico’s joint erasure of Apachería.
Logan Phillips was born in Tombstone, Arizona—a town best known for Old West-themed gunfight tourism. In his new book, Reckon, Phillips explores his relationship to the unusual setting of his childhood through themes of masculinity, history, and land.
At Monterrey, Mexico’s MARCO, artist Teresa Margolles seeks an exit from the apocalypse.
In the spirit of broadening the analysis beyond ICE, Border Chronicle cofounders Melissa del Bosque and Todd Miller discuss the
Independent news, culture and context from the U.S.-Mexico border.
