Gunfights Gunfights Gunfights: A Podcast with Poet Logan Phillips

Logan Phillips was born in Tombstone, Arizona—a town best known for Old West-themed gunfight tourism. In his new book, Reckon, Phillips explores his relationship to the unusual setting of his childhood through themes of masculinity, history, and land.

By Caroline Tracey

●

The Border Chronicle Podcast

●

February 17, 2026

Tombstone, Arizona calls itself “The Town too Tough to Die.” It has an Old West-themed Main Street and daily re-enactments of gunfights. For most people, it’s a place to briefly drop into in order to experience a Disneyland-style version of Arizona history.

For Logan Phillips, however, Tombstone was once home. The Tucson, Arizona-based poet was born in the town and grew up nearby. His father worked at the town’s Historic Courthouse Museum; his uncle was an actor in Westerns. Phillips’s new book, Reckon, out now from University of Arizona Press, examines what it means to be from a place that glorifies violent, colonial masculinity—and seeks to find a way forward though family, relationships to land, and reckoning with history.

In this episode of the Border Chronicle podcast, Caroline Tracey is joined by Phillips to discuss his new book and what it means to be born in the contemporary “Old West.”

Reckon by Logan Phillips (Image: University of Arizona Press)

Want to read on? Reckon can be purchased from the Border Chronicle’s storefront on Bookshop.org.

Author

Caroline Tracey

Caroline Tracey covers the environment and arts and culture for The Border Chronicle. She is the author of the book Salt Lakes: An Unnatural History, a blend of environmental reportage and memoir published in March 2026 by W.W. Norton.

Outside of The Border Chronicle, Caroline’s reporting about the US Southwest, Mexico, and the borderlands has appeared in the New Yorker, n+1, New York Review of Books, High Country News, as well as in Spanish in Mexico’s Nexos. Her literary and art criticism appears in the Nation, the New Republic, and elsewhere, and has been commissioned by SFMOMA and the National Gallery of Art.

Caroline’s work has received a Fulbright fellowship, the Waterston Prize for Desert Writing, the Ira A. Lipman Fellowship in Journalism and Human and Civil Rights, a Silvers Foundation Work-in-Progress grant, and an Andy Warhol Foundation Arts Writers Grant, among other honors. In 2025 she received the inaugural On the Brinck | Places Prize for writing about the Southwest and in 2026 she received a State of the Art prize from Creative Capital. She holds a doctorate in geography from the University of California, Berkeley.

Outside of work, Caroline likes to spend her time reading, swimming, and walking her dog, Sandro.