“The Earth Literally Ripped Open”: A Podcast with Mary Reynolds, Author of The Quake that Drained the Desert

At three p.m. on May 3, 1887, a 7.6 magnitude earthquake struck Bavispe, Sonora, and reverberated throughout the borderlands. Some fifty people perished, crushed by collapsing roofs that moments earlier had been sheltering them from the May sun. Every house in Bavispe fell down. “The ground cracked and fissures splayed like veins in dry valleys throughout Sonora and into Southern Arizona,” writes Mary Reynolds, author of The Quake that Drained the Desert, out now from the University of Nebraska Press. 

Over a century later, Reynolds learned about this catastrophe and began to research it from all angles. She traveled to Sonora to interview the descendants of people who had experienced the quake. She conducted archival research into the physician and photojournalist team from Tombstone and the engineer from Hermosillo sent to respond. And she pored over geologic documents to understand the science behind the disaster. She learned that the high school that she had attended in Tucson had been fitted with “earthquake bands” that would allow it to flex and give the people inside more time to evacuate in the event of a similar event. One of the most surprising threads she followed was the way the earthquake transformed the region’s hydrology, altering the flow of springs and watercourses forever.

In this Border Chronicle podcast, Caroline Tracey speaks with Reynolds about the inspiration for her book, the research process, the story’s colorful characters, and the quake’s implications for life in the region today.

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Author

Caroline Tracey covers the environment and arts and culture for The Border Chronicle. She is the author of the book Salt Lakes: An Unnatural History, a blend of environmental reportage and memoir published in March 2026 by W.W. Norton.

Outside of The Border Chronicle, Caroline’s reporting about the US Southwest, Mexico, and the borderlands has appeared in the New Yorker, n+1, New York Review of Books, High Country News, as well as in Spanish in Mexico’s Nexos. Her literary and art criticism appears in the Nation, the New Republic, and elsewhere, and has been commissioned by SFMOMA and the National Gallery of Art.

Caroline’s work has received a Fulbright fellowship, the Waterston Prize for Desert Writing, the Ira A. Lipman Fellowship in Journalism and Human and Civil Rights, a Silvers Foundation Work-in-Progress grant, and an Andy Warhol Foundation Arts Writers Grant, among other honors. In 2025 she received the inaugural On the Brinck | Places Prize for writing about the Southwest and in 2026 she received a State of the Art prize from Creative Capital. She holds a doctorate in geography from the University of California, Berkeley.

Outside of work, Caroline likes to spend her time reading, swimming, and walking her dog, Sandro.

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