Do you have questions about the recent buoy debacle on the Rio Grande? Our reporting has you covered, plus an important new hire at The Border Chronicle, and our new project Wall Watch.
As floodwaters swept hundreds of one-ton border buoys downstream, international bridges closed, commerce slowed, and officials struggled to get answers from DHS about a project advancing despite local opposition, environmental concerns, and treaty questions.
Hundreds of massive orange buoys staged for a controversial DHS floating barrier project broke free near Eagle Pass and are now drifting toward Laredo, threatening bridges, commerce, drinking water supplies and downstream communities.
Recorded at the Tin Shed Theater with the wonderful people of Patagonia, Arizona, we talk about Taylor's fascinating career as an educator and artist who challenges our perceptions of borders.
David Taylor is a visual artist who works with drone footage, photography, and other art forms to question our sense of place, territory, history, and politics. His artwork challenges how we see the increasingly militarized zone that divides the United States and Mexico. His work is provocative, playful, and harrowing all at once.
Taylor, who is also a professor in the College of Fine Arts at the University of Arizona, in Tucson, joined Melissa and Todd from The Border Chronicle for a fascinating conversation and Q&A with the audience in August at Patagonia’s Tin Shed Theater. Among many things, Taylor talked about his work Complex, which looks at massive immigrant detention facilities from a drone’s eye view. He also discussed DeLIMITations, a work in which he embarked on a cross-country journey with Mexican artist Marcos Ramirez ERRE placing steel obelisks along the U.S.-Mexico boundary as it existed in the early 19th century, ranging from Brookings, Oregon, to the mouth of the Sabine River near Port Arthur, Texas.
The Border Chronicle wishes to thank Voices from the Border, Sierra Club Borderlands, Hilltop Gallery, and La Linea Art Studio for sponsoring this talk, and a very special thanks to Maggie Urgo and India Aubry for their organizing efforts.
As floodwaters swept hundreds of one-ton border buoys downstream, international bridges closed, commerce slowed, and officials struggled to get answers from DHS about a project advancing despite local opposition, environmental concerns, and treaty questions.
Hundreds of massive orange buoys staged for a controversial DHS floating barrier project broke free near Eagle Pass and are now drifting toward Laredo, threatening bridges, commerce, drinking water supplies and downstream communities.
In February, the country broke an ominous record: over 68,000 people were being held in detention by Immigration and Customs Enforcement, more than ever before.
A road trip through Baja California reveals how free trade, migration, and border policy have reshaped Tijuana's landscape, and why the uncertain future of the USMCA invites new questions about what comes next.
Independent news, culture and context from the U.S.-Mexico border.
