The Border Chronicle Weekly Roundup: February 13
How exactly do we get out of this apocalypse? The artists might just know. And why we need to be concerned about how U.S. military tactics abroad find their way home.
At Monterrey, Mexico’s MARCO, artist Teresa Margolles seeks an exit from the apocalypse.
Cristina Rivera Garza's new book, Autobiography of Cotton, traces family history through the borderlands' cotton industry.
Legado de Fieras, an exhibit by Sonoran artist Miriam Salado, reflects on the natural world and the artifacts of human violence.
Take a photographic stroll in 2025--from Inauguration Day in January to unauthorized cows crossing the Rio Grande in the fall--as we seek a “different way forward.”
A Q&A with author Raquel Gutiérrez on art, the apocalypse, Interstate 10, and their new poetry book, Southwest Reconstruction.
A new exhibition in Tucson commemorates community resistance to the borderlands’ military-industrial complex.
An interview with Russ McSpadden about his debut poetry collection, Borderlings.
A newly available film tells the story of the borderlands' first conquistador from an unexpected point of view.
See Sleep Dealer at the Fox Theater in Tucson on October 15 with a panel, featuring Alex Rivera, and an audience Q&A afterward.
Photographer Eunice Adorno captures Mexico’s aging dams as “monuments to an idea of progress that never arrived."
Photographer Marni Shindelman’s series Restore the Night Sky illuminates America’s hidden detention centers from an unexpected angle.
“The fact that this is being used as justification to militarize the border has been shocking for me to watch."
Independent news, culture and context from the U.S.-Mexico border.