The Border Chronicle Weekly Roundup: June 5
The Border Chronicle hangs out with legendary journalist Amy Goodman, plus big tech and the "everywhere border" and a podcast about Latin American art and the borderlands and more!
Gabriela Rangel, executive director of Tucson’s Museum of Contemporary Art, was born and raised in Caracas, Venezuela. As a
Sometimes the best way to contest the border is to skate right through it and create a beautiful, binational community.
"The history of migration through El Paso is one that’s been forgotten and overlooked, even though these workers—and not just workers but intellectuals, activists, and poets—helped shape the American Southwest as we know it today."
“For a long time, a big proportion of the American public said that border security was their most important issue. People are starting to realize what that means in terms of the violence entailed.”
On the Spanish thriller Sirāt, the concept of Saharanism, and our reckoning with narratives about the U.S.-Mexico borderlands.
Mexican writer Álvaro Enrigue’s new novel, Now I Surrender, is an epic about the U.S. and Mexico’s joint erasure of Apachería.
At Monterrey, Mexico’s MARCO, artist Teresa Margolles seeks an exit from the apocalypse.
Cristina Rivera Garza's new book, Autobiography of Cotton, traces family history through the borderlands' cotton industry.
Legado de Fieras, an exhibit by Sonoran artist Miriam Salado, reflects on the natural world and the artifacts of human violence.
Take a photographic stroll in 2025--from Inauguration Day in January to unauthorized cows crossing the Rio Grande in the fall--as we seek a “different way forward.”
A Q&A with author Raquel Gutiérrez on art, the apocalypse, Interstate 10, and their new poetry book, Southwest Reconstruction.
A new exhibition in Tucson commemorates community resistance to the borderlands’ military-industrial complex.
Independent news, culture and context from the U.S.-Mexico border.