What’s Wrong with Mexico’s Right Wing? A Conversation with Alex González Ormerod

When Alex González Ormerod, editor of the Mexico Political Economist, started researching his book about the Mexican right wing, he found an odd pattern: many of his interviewees didn’t identify as part of the Right. They called themselves liberals. But “liberal” was also the term used by Andrés Manuel López Obrador, then the country’s left-wing president, to describe himself. For González Ormerod, it was a problem that Mexico’s democracy didn’t encompass the full political spectrum. He went on to title his 2025 book La derecha no existe (pero ahí está): Guía para entender su fracaso y su futuro en México [The Right doesn’t exist (but it’s there): A guide for understanding its failure and its future in Mexico]. The book is in part a history of the Mexican Right’s failures, and in part an argument for why a recovery of the Right would benefit the country’s democracy. He contends that this is important even for those who consider themselves staunchly on the Left. In this podcast, Caroline Tracey speaks with Alex about the history of the PAN party, including its odd and sometimes unhappy marriage of Catholics and businessmen, and about his arguments concerning the future of democracy in Mexico.

You can also watch this video podcast on our Border Chronicle YouTube channel.

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Author

Caroline Tracey covers the environment and arts and culture for The Border Chronicle. She is the author of the book Salt Lakes: An Unnatural History, a blend of environmental reportage and memoir published in March 2026 by W.W. Norton.

Outside of The Border Chronicle, Caroline’s reporting about the US Southwest, Mexico, and the borderlands has appeared in the New Yorker, n+1, New York Review of Books, High Country News, as well as in Spanish in Mexico’s Nexos. Her literary and art criticism appears in the Nation, the New Republic, and elsewhere, and has been commissioned by SFMOMA and the National Gallery of Art.

Caroline’s work has received a Fulbright fellowship, the Waterston Prize for Desert Writing, the Ira A. Lipman Fellowship in Journalism and Human and Civil Rights, a Silvers Foundation Work-in-Progress grant, and an Andy Warhol Foundation Arts Writers Grant, among other honors. In 2025 she received the inaugural On the Brinck | Places Prize for writing about the Southwest and in 2026 she received a State of the Art prize from Creative Capital. She holds a doctorate in geography from the University of California, Berkeley.

Outside of work, Caroline likes to spend her time reading, swimming, and walking her dog, Sandro.