Happy 250th America! In a new podcast, Melissa and Todd discuss surveillance, and unconstitutional policing migrating into the country's interior, and ancient rock art faces demolition in Texas. Plus more news from across the border region.
Border Chronicle founders, Todd and Melissa, talk about how law enforcement surveillance, high-speed chases instigated by Border Patrol, unwarranted searches and seizures, and other heavy-handed policing that border communities have endured for decades has now moved into the interior of the country.
A $2.6 billion border barrier through Texas' Lower Pecos Canyonlands has archaeologists warning that irreplaceable indigenous rock art and sacred sites could be destroyed.
An examination of official discourse and the cartel narrative, the national security paradigm, and the drug war as a policy of extermination.
For today’s podcast, The Border Chronicle welcomes back Oswaldo Zavala to discuss his new book, The War Within the Words: An Intellectual History of the “Narco” in Mexico (1975–2020). In this discussion, Zavala examines and disassembles drug war narratives in official discourse and mainstream storytelling, both in news media and fictional accounts.
Zavala, a Juarense professor of Latin American literature, directly challenges entrenched and preconceived ideas—as he did last year, when we had him on the podcast to discuss his first book, Drug Cartels Do Not Exist. Zavala’s provocative work ultimately offers a new understanding of the drug war and a way to challenge what he calls “a policy of extermination.”
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Border Chronicle founders, Todd and Melissa, talk about how law enforcement surveillance, high-speed chases instigated by Border Patrol, unwarranted searches and seizures, and other heavy-handed policing that border communities have endured for decades has now moved into the interior of the country.
This conversation, hosted by Todd Miller, about a great borderlands adobe brick building project is going great, until Jacques Servin—of the political performance artist trickster and activist troupe called the Yes Men—fails to grasp the meaning of the term "border security."
Gabriela Rangel, executive director of Tucson’s Museum of Contemporary Art, was born and raised in Caracas, Venezuela. As a
Torre Centinela, a Mexican surveillance hub that will share intelligence with U.S. and Texas law enforcement is slated to open soon. Olivares discusses his investigation on Torre Centinela and the private corporation running it.
Independent news, culture and context from the U.S.-Mexico border.
