Border Chronicle founders, Todd and Melissa, talk about how law enforcement surveillance, high-speed chases instigated by Border Patrol, unwarranted searches and seizures, and other heavy-handed policing that border communities have endured for decades has now moved into the interior of the country.
A $2.6 billion border barrier through Texas' Lower Pecos Canyonlands has archaeologists warning that irreplaceable indigenous rock art and sacred sites could be destroyed.
The efforts to preserve the desert's iconic plants, resist the destruction of ancient trees, and deal with the harassing border machine, even after deportation.
Border Chronicle founders, Todd and Melissa, talk about how law enforcement surveillance, high-speed chases instigated by Border Patrol, unwarranted searches and seizures, and other heavy-handed policing that border communities have endured for decades has now moved into the interior of the country.
Support local independent journalism from the U.S.-Mexico border today. Become a paid supporter of our work for just $59 a year or $6 a month. We can't do this without you!
A $2.6 billion border barrier through Texas' Lower Pecos Canyonlands has archaeologists warning that irreplaceable indigenous rock art and sacred sites could be destroyed.
This conversation, hosted by Todd Miller, about a great borderlands adobe brick building project is going great, until Jacques Servin—of the political performance artist trickster and activist troupe called the Yes Men—fails to grasp the meaning of the term "border security."
This month, Hull’s worst fears came true as contractors for Southwest Valley Constructors and Kiewit started bulldozing and scraping land near her home to construct a 30-foot border wall.
Gabriela Rangel, executive director of Tucson’s Museum of Contemporary Art, was born and raised in Caracas, Venezuela. As a
Independent news, culture and context from the U.S.-Mexico border.
