Border barriers on the river could be fatal during floods, say Laredo landowners, a reflection on desert narratives and the U.S.-Mexico border, and become a sustaining member of The Border Chronicle today, get some cool, new merch, and help us hold those in power accountable.
As federal officials fast-track billions in border wall construction and floating buoy barriers, local leaders and residents say they’re in the dark, and fear the worst.
On the Spanish thriller Sirāt, the concept of Saharanism, and our reckoning with narratives about the U.S.-Mexico borderlands.
Recorded at the Tin Shed Theater with the wonderful people of Patagonia, Arizona, we talk about Taylor's fascinating career as an educator and artist who challenges our perceptions of borders.
David Taylor is a visual artist who works with drone footage, photography, and other art forms to question our sense of place, territory, history, and politics. His artwork challenges how we see the increasingly militarized zone that divides the United States and Mexico. His work is provocative, playful, and harrowing all at once.
Taylor, who is also a professor in the College of Fine Arts at the University of Arizona, in Tucson, joined Melissa and Todd from The Border Chronicle for a fascinating conversation and Q&A with the audience in August at Patagonia’s Tin Shed Theater. Among many things, Taylor talked about his work Complex, which looks at massive immigrant detention facilities from a drone’s eye view. He also discussed DeLIMITations, a work in which he embarked on a cross-country journey with Mexican artist Marcos Ramirez ERRE placing steel obelisks along the U.S.-Mexico boundary as it existed in the early 19th century, ranging from Brookings, Oregon, to the mouth of the Sabine River near Port Arthur, Texas.
The Border Chronicle wishes to thank Voices from the Border, Sierra Club Borderlands, Hilltop Gallery, and La Linea Art Studio for sponsoring this talk, and a very special thanks to Maggie Urgo and India Aubry for their organizing efforts.
On the Spanish thriller Sirāt, the concept of Saharanism, and our reckoning with narratives about the U.S.-Mexico borderlands.
When Alex González Ormerod, editor of the Mexico Political Economist, started researching his book about the Mexican right wing, he
A Q&A and exclusive screening of a documentary short by award-winning filmmaker Bernardo Ruiz.
Each year since 1995, the Tohono O’odham Nation has held the Unity Run. “These runs,” Amy Juan says,“not only have their purpose as prayer for the people and the land but also put us on the ground to actually see what is happening” on the border.
Independent news, culture and context from the U.S.-Mexico border.
